YUJI WATABE: FORESTS AND GHOSTS?
Opening Thursday April 12th
Month: April 2007
WILLEM WEISMANN
WILLEM WEISMANN (b. 1977/NL)
“NIEUW NEW AMSTERDAM”
April 12. – May 19. 2007
MOGADISHNI CPH is proud to present the second solo exhibition in the gallery by the Dutch artist Willem Weismann who is based in London. The show figures new paintings in Weismann’s significantly detailed and highly coloristic style where both destructed and rebuilt spaces intertwine. In “Nieuw New Amsterdam” the viewer is invited on an anthropological and sociological journey in time and space, where sophisticated references to the colonies of the past, the cities of the present, and the eternal transit-position of the immigrant lie abundant.
In Weismann’s detailed, richly colored large scale paintings he portrays a movement away from “the old World Order” and away from the big city and towards a new way of living. A focus on individuality and the need for creating one’s own space far from modern civilization is a reappearing topic for Weismann, who often gives an insight in alternative ways of living like in tents and huts. “The tent-condition” which seems unstable at first glance can be viewed as a temporary transit-home as well as a significant proof of the human ability to re-establish. In Weismann’s construction of alternative modes of living lies an inherent comment on the conformity of modern life and the resulting lack of individual opportunity and independence. The tents and the huts are not perfect constructions – on the contrary, they reflect the person who made them. In Weismann’s works “progress” and happiness of the present are never two sides of the same matter, and he suggests that maybe happiness lies a totally different place than what this so called progress postulates.
The portrait series ”Nieuw New Amsterdam” shows a group of leaders of fictional colonies, who, portrait by portrait, gradually transforms from classical European explorers into the natives they have conquered. This transformation of the ’original’ “European-ness” to the eclectic unfolds the idea, that it can be possible to unite old enemies, that borders can be erased, and also the idea of – and the belief in a global village where different people are able to live side by side.
In Weismann paintings you often see an enormous accumulation of materials, such as old clothes, empty bottles, cans etc. which brings an immediate chaos. On closer inspection humans are able to organize themselves in the middle of this chaos and create a contemporary home and a new way of living in an environment where this would seem impossible. A new life often drags the remains of an earlier life along perhaps as a kind of comfort or perhaps as an unnecessary burden. As in the painting “Je Maintiendrai” where the journey towards the unknown and different seems slow because a raft filled with things from the past is dragged along. The question is why this enormous amount of luggage is so essential when the traveler is on the way to something new. Garbage and waste piles accumulates in Weismann’s paintings as a sign of both mental and physical remains of humans or as signs of the overload of pictures and information so typical of modern life. All the accumulated is attempted enclosed like a miniature part of life, something society stores which is hard to get rid of – and which might hold a value after all.
The painting “The Quiet Earth” shows hopelessness and hope depicted simultaneously. The physical framework of the house has been destroyed, but in spite of that a green tent has been erected in the middle of chaos, maybe as a last attempt to stay and adapt to the conditions. Weismann’s pictorial universe is filled with existential tales of the human ability to survive, hope and the desire for change and for the journey towards the unknown. Weismann poses relevant questions to history and the development of society as well as the postulated stable identity of the individual, hereby forcing the spectator to reflect and wonder.
Willem Weismann will participate in the group show “The Contented Heart” at W139, Warmoesstraat 139, 1012 JB, in Amsterdam, the Netherlands. The show will run from April 28th to June 3rd 2007.
MOGADISHNI CPH looks forward to see you at the opening reception Thursday April 12. at 5-8 PM. The artist will be present.
THE DEADVOLT
DUNK! / THE DEADVOLT SUPER-STORE EXHIBITION
– Capitalism a Sophisticated Façade.
DUNK! is now ready with the first solo exhibition ever.
DUNK! is not afraid to be commercial – this is the proof:
DUNK! proudly presents a total-shop-installation by DEADVOLT.
DEADVOLT is a one-man company.
DEADVOLT is a one-man movement.
DEADVOLT is graphic design with an attitude.
DEADVOLT is art with an open-minded commercial perspective.
DEADVOLT is a social statement.
DEADVOLT is limited editions with a message.
DEADVOLT is commercials camouflaged as paintings.
DEADVOLT is paintings camouflaged as commercials.
DEADVOLT is critic camouflaged as nonsense.
DEADVOLT is also t-shirts, stickers, caps, badges, ceramic characters and much more.
DUNK! & DEADVOLT proudly invites you to the opening of the first real life DEADVOLT SUPER-STORE: Come happy, be entertained, shop a lot and ask questions: Is it art? Is it design? Is it political? Is it critical? Is it commercial? Is it pop? Is it street? Is it all that? Or is it something else? Come by and make out your own answers.
Opening Reception:
Thursday, April 12, 2007 from 6:00 p.m. –10:00 p.m.
The exhibition is open from Friday, April 13, until Sunday, May 13, by appointment or
every Thursday from 10: a.m. – 3:00 p.m.
DUNK!
Værkstedsvej 6, 2. sal tv.
2500 Valby
dunkdunk@gmail.com
www.dunkdunk.dk
For appointment or more information:
Rasmus Danø + 45 2991 7468,
Thorgej Steen Hansen + 45 6165 4968
Kunsthaus Zürich
Image: Peter Fischli / David Weiss
Untitled (Flower), 1997. Photograph © 2007 Peter Fischli / David Weiss
Kunsthaus Zürich
Peter Fischli and
David Weiss Retrospective
6 Jun > 9 Sep
Switzerland’s first retrospective of works by contemporary artists Peter Fischli and
David Weiss. The show, mounted by curator Bice Curiger in collaboration with Tate Modern, London, is called ‘Questions & Flowers’. Organised with the artists’ support, it boasts the most comprehensive overview to date of an oeuvre as varied as it is enigmatic.
Image: Peter Fischli / David Weiss
Untitled (Flower), 1997. Photograph © 2007 Peter Fischli / David Weiss
MACO
Maco México
Arte Contemporáneo en México
25 > 29 April
Latin America’s most important contemporary art fair, taking place for the fourth time in Mexico City. Over 80 international galleries exhibiting from: Argentina, Austria, Brazil, Canada, Denmark, France, Germany, Ireland, Italy, Mexico, Spain, Sweden, Switzerland, United Kingdom, Uruguay, USA.
…..:::::::Düsseldorf Contemporary ::::::::…
Düsseldorf Contemporary
19 > 22 April
The fair coincides with Die Kunst zu sammeln/The Art of Collecting at the museum kunst palast, opening 21 April through to 22 July 2007. The focus is on works from the Expressionist movement, the Junges Rheinland, art informel, the ZERO movement and current stances in painting, photography and sculpture. The curators are Dr. Christoph Danelzik-Brüggemann, Barbara Til, Miriam von Gehren und Dr. Stephan von Wiese
Fine Art Fair Frankfurt
Image: Olaf Metzel, Besiktas Jimnastik Kulubu, 1995.
Fine Art Fair Frankfurt
13 > 15 April
The second fine art fair frankfurt, “QUALITY STREET®”, is dedicated exclusively to sculpture. It will showcase some fifty international galleries, featuring artworks from the 20th and 21st centuries. By focussing on a single (and in this case highly relevant) topic, an incomparable event awaits both visitors and exhibiting galleries. The future editions of the fair will also be limited to a specific form of artistic representation.
Art Brussels
Art has to be seen, felt, heared, tasted and smelled. Experience art at artbrussels 2007, the contemporary art fair – from 20 to 23 April!
Get a firt impression of the 25th edition with the on-line catalogue! Check out the Exhibitors’ List page on www.artbrussels.be and prepare your visit to the fair!
artbrussels 2007 takes place from 20 to 23 April in Halls 11 & 12 of Brussels Expo.
Preview and Vernissage on 19 April (invitation only).
Fair: 20, 21 and 22 April: 11am – 7pm
Finissage: 23 April: 11am – 10pm
KRISTIN BAKER
KRISTIN BAKER
SURGE AND SHADOW
On view through Saturday April 14, 2007
Concepyual Paper
William Pope. L, from the series “Skinset”, 2002-2004, 32 x 25,5 cm.
Arndt & Partner Zurich
Conceptual Paper
curated by Kenny Schachter
Works by Vito Acconci, Richard Artschwager, Chris Burden, Zaha Hadid,
Peter Hujar, Yayoi Kusama, Dennis Oppenheim, William Pope.L, Paul Thek