ASTRONOMICAL FRONTIERS

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ASTRONOMICAL  FRONTIERS is a collective art- and text project with around one hundred participants from various parts of the contemporary art, theory and literature scene.

The contributors are coming from all over the world – from Indonesia, Singapore and Slovenia to Århus and Canada.

Astronomical Frontiers presents a 5-day event in BKS Garage from 13th to 17th of January (see program) and a text collection in Henningsen Contemporary from 15th to the 30th of January (opening Friday the 15th 5 – 8pm).

All contributors will be presented in a program under a title and a category, but without the participants names featured. Instead, the approximately 100 names are publicized on two posters – one for the event in BKS Garage and one for the text collection in Hennigsen Contemporary – as a collective signature for the project

AF aims to challenge ideas of hierarchical thinking with a cooperative energy as the point of departure for projects presented in the context of Astronomical Frontiers.

AF’s program is wide-ranging: from installations, FM radio performances, launching a magazine, workshops, work presentations, common dining, concerts etc… In addition to this there will be panel discussions, with participants from home and abroad. Welcome!

Astronomical Frontiers Blog

BKS Garage

Group show @ Jancar Jones Gallery

The Jancar Jones Gallery is pleased to present a group exhibit of artist’s multiples and editioned work.
David Berezin, Michael Guidetti, Claire Nereim, Harsh Patel & Sean Talley.

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Jancar Jones

Categorization

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Galleri Christoffer Egelund is proud to present the group exhibition Categorization where four Danish artists are presented: Dorte Jelstrup, Erik Øckenholt, Lars Bent Petersen and Ursula Andkjær Olsen. With their unique individual style, they each contribute to a varied and thought-provoking exhibition. Hence, visitors can experience everything from montage and drawing to painting, sculpture and poetry.

The exhibition Categorization focuses on these years’ enhanced trend of categorizing and segmenting everything and everybody. In this context, we could say that the four artists question especially the type of categorization that generalizes and trivializes our concept of human beings and life – something that an increasingly simplified news stream holds a substantial responsibility for. Thus many of the works engage in different kinds of representation criticism. In other words, the goal of the exhibition is not to contribute towards increased categorization, but on the contrary to question the kind of outlook that stems from this simplified trend towards categorization. Via the exhibition, the visitor is confronted with new and unexpected questions which challenge the spectator to take a more reflexive approach to our existence in the world, and hence to a potentially more sensitive approach to human life.

Dorte Jelstrup (b. 1964) has exhibited widely inside and outside Denmark and is represented in, for instance, the collections of the National Gallery of Denmark, the Museum of Southern Jutland and the National Gallery in Prague (Czechia). Erik Øckenholt (b. 1961) graduated from the Royal Danish Academy of Fine Arts (1982-88) and subsequently the School of Visual Arts and Art Presentation (1989-91). He is represented in, for instance, the National Gallery of Denmark and Vejle Museum of Art. Lars Bent Petersen (b. 1964), who graduated from the Royal Danish Academy of Fine Arts (1985-92), attracted attention with the solo exhibition Dreams, Lies and Other Works that was awarded a prize by the Danish Arts Foundation, at Overgaden – Institute of Contemporary Art. Moreover, he is represented in the Kastrupgaard Collection and at Esbjerg Museum of Art. Ursula Andkjær Olsen (b. 1970) graduated from Copenhagen University as Master of Arts in Musicology and Philosophy and from the Authors’ School (1997-99). She has recently published Havet er en scene (The Sea is a Scene) (Gyldendal 2008), which was, amongst other things, nominated for the Nordic Council Literature Prize, and awarded a prize by the Danish Arts Foundation.

Galleri Christoffer Egelund

Portraits of Graffiti writers

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We are happy to present “Unbekannt“, an exhibition showing works of the photographers Timo Stammberger and Norman Behrendt at the non-commercial art space Fotogalerie Friedrichshain.

Graffiti writers and other urban artists who work in public space, significantly influence the appearance of many cities and especially that of Berlin. In the exhibition “Unbekannt” (”Unknown”) the two Berlin based photographers Norman Behrendt and Timo Stammberger show portraits of some protagonists of these often difficult to access scenes. These people are often not perceived as artists, pursued by the police, and receive recognition only within their scene. But why do they follow an enormous pressure to perform, oppose the rules, and invest their money, time and energy into their art, with the risk of getting arrested? In “Unbekannt” the displayed artists are neither glorified nor condemned. Rather, Behrendt and Stammberger show intimate view of those, whose image is often distorted by the media.”

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Pamela Brandt

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Pamela Brandt is an artist whose work is
difficult to classify and describe briefly.

She is a kind of Hilma af Klint of Finnish art,
strange and independent in her own time, or an
exotic plant of which we really don’t know what
kind of soil it needs, or a tool best suited to
its purpose but requiring insight as to its use.

Her works often proceed from an occurrence in
everyday life or an object that has prompted an
association, emotional state or comprehension
that is then transformed into an image. We
recognize everyday subjects, but Brandt never
approaches them naturalistically. They are “true”
only at the level of art, where their truth obtains.

Pamela Brandt’s paintings contain symbolism,
which, however, is never trite or self-evident,
offering instead various interpretations and
being accessible only to an open mind. Brandt
paints slowly. Each painting has undergone many
metamorphoses before achieving a state in which
the literary, intellectual and physical reality
of the work manages to merge in precisely the
manner sought by the artist. One can, and should,
look at them for a long while.

Galerie Anhava