Mail from Søren Dahlgaard…

Hej Jens-Peter,

Håber alt vel. Jeg kan næsten se over til dig på Halvandet fra mit værksted/tegnestue, på Skabelonloftet på B&W, hvor jeg nu er fuldtids-artist. Jeg var ovre og udstille på P.S.1 MoMA i New York i marts, hvilket gik rigtig godt. Jeg lavede bl.a. ‘Digesting news’, hvor jeg stoppede nyhederne i tarme, så de kunne fordøjes sammen. Det var en stro succes, det blev til nogle flotte pølser! Sender gerne nogle fotos fra den performance.

Prøv at tjek disse billeder fra min sidste Brødkriger maleri action:


SCHROEDER ROMERO

WENDY SMALL
Coming in for the Kiss

June 15 – July 27, 2007
Opening Reception: Friday, June 15, 6-8pm
*the gallery will not be open on Saturdays in July
Schroeder Romero is pleased to announce a solo exhibition of new photograms and cyanotypes by Wendy Small. This exhibition is comprised of three recent bodies of work: Coming in for the Kiss, Morning Glory and Gun Running.
Wendy Small’s works are made by placing objects directly onto photo paper, exposing them to light and then removing the objects. The final product is a unique photogram or cameraless photograph. The process of shining light on the objects results in glowing lines and overlapping translucent forms. The artist further enhances these qualities by her use of various colored papers or by toning techniques. The use of plastic and artificial objects in all of Small’s photograms confounds or confronts what looks real.
In the Coming in for the Kiss series, Small has created romantic scenes where birds couple and dodge through gardens resembling the style of scenic 18th century French wallpaper.
The Morning Glory series of photograms shows what look like fields of flowers or an undersea array of anemones, but the objects Small used to create these fields are actually brightly colored “French tickler” condoms. The use of these condoms celebrates the resilience of sexuality in safe playing fields.
In the Gun Running series Small placed children’s water pistols onto the photo paper. The resulting images resemble x-rays of real guns and are shown together with found snapshots of children playing with similar toys.
Small’s work has been included in numerous group exhibitions in the United States and Europe and is in several public collections including the Kinsey Institute at Indiana University, Bloomington and The James Hotel in Chicago. This is her first solo exhibition with the gallery.
* * * * * * *
Also on view through July 27th in the Project Hallway will be Do You See What I See? (these fags are for sale but you can’t buy this queer) by Bayard. This project is presented in commemoration and celebration of the 38th anniversary of the death of Judy Garland and the birth of Gay Pride. A separate opening reception is being held for Bayard on Friday, June 22 from 6-8pm.
* * * * * * *
The gallery is open Tuesday through Saturday from 11-6 and also by appointment. Please contact the gallery for further information.
Summer hours: Please note that the gallery will not be open on Saturdays in July. The gallery will be open by appointment only in August.


Wendy Small
Morning Glory 5:10am, 2006
unique Color Photogram, 30″ x 40″

Wendy Small
I know where we are, 2007
color photogram; unique
40″ x 30″

Wendy Small
Gun Running
unique photogram series from 2001-2007
8″ x 10″

Bayard
Detail of Do You See What I See?, 2007
Mixed media, 31 x 31 inches each panel

  • Schröeder Romero
  • KAREN KILIMNIK

    June 19 – July 21, 2007

    London taxicab at Dukes Hotel London, England, 2007
    Water soluble oil color on canvas
    20,3 x 25,4 cm

    Monika Sprüth and Philomene Magers are delighted to present new works by Karen Kilimnik in their Grafton Street space in London.
    Renowned as one of the pioneers in the early 1990’s for her deconstructed installations and assemblages of seemingly random objects with an emphasis on ‘throw away’ materials – Kilimnik’s paintings and installations are a highly personalised appropriation of historical and contemporary sources. Drawing on the world of fairy tales, romance, ballet, mysteries, various magazines and newspapers, TV, European stately homes and painters such as Stubbs, Oudry and Raeburn, Kilimnik casts these diverse elements like a stage director in her own play.

    Part of this stage direction involves the architecture of the exhibition space. Works are often exhibited either in real historical venues – Palazzetto Tito, Venice; Powel House, Philadelphia; Historisches Museum, Haus zum Kirschgarten, Basel – or spaces are created to resemble European period salons replete with wallpaper, cornices and fireplaces.
    The 18th century Grafton Street premises provide an ideal setting for this show. Visitors to the gallery are confronted by The Jungle in La Bayadère in London. A reinterpretation of a work first seen at Monika Sprüth Philomene Magers Munich in 2003 and comprising trees, plants, birds and sound, the piece is inspired, not only by the ballet La Bayadère (famously choreographed by the balletmaster Marius Petipa and set in the romanticized, ethereal ‘exoticism’ of India), but also an episode of the cult TV series The Avengers involving a retired colonel who, on his return from a British colony, creates a fake jungle in the English countryside.

    The back gallery, decorated in the manner of a traditional English period drawing room with striped Regency-style wallpaper and mouldings contains several new paintings and works on paper recalling a romanticised world of English teas (The Egerton House hotel, London – tea time, 2007), old London (London Taxicab at Dukes Hotel London, England, 2007) and bucolic bliss (the pastel cloud, yellow + pink, on a summer´s day, 2007).

    Karen Kilimnik lives and works in Philadelphia, USA. Her work has been seen in major solo exhibitions, most recently at Le Consortium, Dijon and also the Musée d’Art Moderne de la Ville de Paris which toured this spring to the Serpentine Gallery, London. The first comprehensive survey of her work in the US, recently acclaimed by Roberta Smith in The New York Times, continues at the Philadelphia Institute of Contemporary Art until August 5th before travelling to the Museum of Contemporary Art, Miami (September 7 – November 4, 2007), the Aspen Art Museum (December 14, 2007 – February 3, 2008) and the Museum of Contemporary Art, Chicago (February 23 – June 8, 2008).

  • Spruethmagers
  • ARCO AWARDED THE GOLDEN MEDAL OF MERIT IN FINE ARTS


    ARCO, the International Contemporary Art Fair, has been awarded the Gold Medal in Fine Arts 2007 from the Council of Ministers of the Government of Spain. The award was granted to ARCO and other leading organisations and individuals from both Spain and worldwide in the field of art and culture, including the Spansih collector of Contemporary Art Pilar Citoler.

    ARCO and IFEMA would like to express our most sincere congratulations to all those who have contributed to making this project possible: exhibitors, collectors, magazines, publishers, contemporary art experts, foundations, museums, collaborating companies, and all those who, in one way or another, work with us to ensure that ARCO continues being one of the world’s major art fairs.

    Madrid, 11th June 2007

    Arndt & Partner



    Wang Du, U.S.A. Weather Report, studio view, 2007, 110 x 162 x 182 cm / 43.31 x 63.78 x 71.65 inch

    Dear Friend of the Gallery:
    We are delighted to announce our participation at Art 38 Basel
    13 to 17 May 2007

    Arndt & Partner:
    Hall 2.1, Booth No. B7

    We shall be presenting selected works by our gallery artists:
    Adam Adach, Jules de Balincourt, Sue de Beer, Sophie Calle, Joe Coleman, William Cordova, Wim Delvoye, Yannick Demmerle, Gabi Hamm, Mathilde ter Heijne, Anton Henning, Jon Kessler, Henning Kles, Douglas Kolk, Karsten Konrad, Yayoi Kusama, Josephine Meckseper, Muntean/Rosenblum, Tam Ochiai, Erik Parker, Julian Rosefeldt, Charles Sandison, Dennis Scholl, Nedko Solakov, Hiroshi Sugito, Miroslav Tichý, Tim Trantenroth, Susan Turcot, Veron Urdarianu, Wang Du

    Arndt & Partner Zurich would furthermore be delighted to welcome you to William Cordova’s first solo exhibition in Switzerland which is on view through 21 July 2007.

    We would like to draw your attention to the participation of our gallery artists Sophie Calle and Nedko Solakov at the Venice Biennial and their works at or booth.

    Should you wish to receive specific information and images of the works at the fair, please do not hesitate to visit our website www.arndt-partner.com.
    Alternatively, please contact Anna Duque y González for more detailed information (anna@arndt-partner.com).

    We would be delighted, if you found the time to stop by our booth.

    Best regards,

  • Arndt & Partner
  • bendixen contemporary art

    bendixen contemporary art is pleased to present works by:
    Ferdinand Ahm Krag
    Alexander Tovborg
    Torben Ribe
    Marika Seidler
    Jonas Hvid Søndergaard

    in the Nordic Focus
    Booth NF2
    June 11 – 16, 2007

    We welcome you at the Opening Reception June 11, 6 p.m. – 9 p.m.

    VOLTAshow03
    at ULTRA BRAG, Südquaistrasse 55, CH-4019 Basel

  • VOLTA SHOW
  • Artists also represented by the gallery:
    Johan Nobell, Toru Kuwakubo, Cecelia Westerberg, Eva Larsson,
    Sarah Baker, Jens Thegler, Morten Nilsson

    For more information or images please contact the gallery
    at +45 3616 0325 or bendixen2@contemporary-art.dk

    bendixen contemporary art
    Carl Jacobsensvej 20, 4. Floor / DK-2500 Valby
    +45 3616 0325

  • Bendixen Art

  • “These paintings are based off of interests and ideals clashing. Disagreements are had and quarrels begin over different colored hats and how outsiders don’t understand but cope with these events. Some violence may happen, but that’s the way it goes.”
    – Jeff McMillan

    Commenting on the tribalistic tendency found in modern societies, Jeff McMillan presents his audience with boldly painted yet minimalist graphic imagery mixed with humor. Highly rendered characters engage in stories of both inclusion and exclusion, amid secrecy, while set against sparse backdrops. The simplicity of the spaces these figures inhabit draws the viewer into their mysterious tales.

    Rock posters, album art, comics, music, comedy and cartoons influence Jeff McMillan. With inspirations like Frank Kozik, Robert Williams and Phil Hale, and Robert Crumb, McMillan pays close attention to the drawing and execution of his work. The juxtaposition of a rendered painting with subtle humor as a subject fascinates him most. His work has been widely exhibited and featured in various publications. Jeff lives and work in Los Angeles – he’s a painter, teacher and illustrator.

    ” Some Dispute Over the Color of Hats, and How Outsiders Cope,” paintings by Jeff McMillan, runs June 9 through July 14, 2007 at Fuse Gallery, 93 2nd Ave (between 5th & 6th Sts, 2nd Ave stop on the F), NYC, NY. The opening reception, on Saturday, June 9th, from 7 to 10 pm, is free and open to the public.
    For more information, contact Fuse Gallery at 212.777.7988 or fusegall@fusegallerynyc.com.

    93 2nd Ave (between 5th & 6th Sts, 2nd Ave stop on the F), NYC, NY.
    Wed-Sat 3-8pm
    212.777.7988

    Fuse Gallery Presents:

    Jeff McMillan
    “Some Dispute Over the Color of Hats, and How Outsiders Cope”
    Exhibition: June 9 through July 14, 2007

    Opening Reception: Saturday, June 9th, 7 to 10 pm

    ::: CIRCLECULTURE :::

    THANKS TO ALL FRIENDS AND ART LOVERS WHO ATTENDED THE MIND-BLOWING OPENING OF ANTON UNAI AT CIRCLECULTURE GALLERY. FOR YOU AND ALL THOSE WHO COULDN’T MAKE IT, FIND ENCLOSED A SHORT MOVIE. A DOCUMENTATION OF THE PERFORMATIVE PAINTING BATTLE BETWEEN THE ARTISTS ANTON UNAI AND JAYBO AKA MONK.

    THE SHOW WILL BE UP UNTIL AUGUST 15TH 2007. COME VISIT US AT CIRCLECULTURE GALLERY GIPSSTRASSE 11 – BERLIN MITTE – GERMANY

    WATCH OUT FOR OUR NEW WEBSITE

  • CIRCLECULTURE
  • FOLEY GALLERY


    Pictured above: Bear 36, 16 x 20 inch chromogenic print, 2006.

    Foley Gallery is pleased to announce Bears, an exhibition of photographs by New York-based artist Kent Rogowski.

    In this body of work Rogowski presents a delicate and sensational series of teddy bear portraits. The bears appear different than ordinary stuffed animals. They have been turned inside out, re-stuffed and sewn back together, transforming them, creating entirely new creatures. The result of this enabled metamorphosis is a new kind of bear, sometimes grotesque or pathetic but often rather endearing. These new emblems no longer sustain the perfect image of childhood, but break apart this image into a complex picture of youth and development.
    Photographed on a stark white background, the bears are removed from any relevant or meaningful context. They are placed in an environment where they appear as specimens to be studied, separate from any memories a viewer may associate from their own teddy bear experience. The neutral setting emphasizes comparisons between the bears. The revelations of the bears’ innards are strong analogies of how people may differ from the inside out.
    Rogowski’s interpretation of this childhood staple raises questions about childhood security. A stuffed animal’s pleasant and cuddly outward appearance may mask or misrepresent what is happening inside. More literally, a happy outside may be hiding the inner drama of a child. This symbol of childhood comfort has, by way of Rogowski’s process, been altered and skewed.
    Kent Rogowski received his MFA in Photography from the Rhode Island School of Design in 2000. He has received many awards, including the Center Award from the Center of Photographic Art, and was selected as a finalist for the Calumet/Friends of Photography Emerging Artist Award and the Nerve.com.
    Foley Gallery is open Tuesday – Friday, 11am – 6pm. For more information or for images, please contact the gallery by phone or e-mail. Work from the exhibition are available to view on the website in the Artists section.

  • Foley Gallery