Arte Americas


gustavo acosta

One of the most interesting painters in his generation Acosta won several important awards in Cuba during the decade of the 80s and has participated in the Havana, Chile and Sao Paolo Biennials. He established himself in Mexico in 1991 along with the significant number of Cuban artists who left their home country at that time and participated in numerous collective shows such as The Prodigious Decade at The Chopo University Museum (1992). He currently resides in Miami and has maintained a constant and growing presence in the panorama of Latin American plastic arts in America and in Europe.

josé bedia

Miami based internationally renowned Cuban artist José Bedia is a defender of simple ways of life, nature and spirituality. His profuse use of religious and spiritual symbols specially taken from primary sources alongside with a deeply energetic painting has generated a unique, exceptional reflection on what is a collective past. The most important elements in his works are the juxtaposition of African, Asian, and indigenous American cultures and values with the deteriorating forces of contemporary society, industrialism and wars. Some of Bedia’s most celebrated works include the design for the floors and railings of the Opera House and the Concert Hall at the Performing Art Center in Miami, inaugurated in 2006. He has presented his extensive body of work in different memorable exhibitions like 10 Floridians at the Miami Art Center (2003), Contemporary Narratives in American Prints at the Whitney Museum of Art (2000), Latin American Artists of the Twentieth Century at the Museum of Modern Art (MOMA) (1993) and Magiciens de la Terre at The Centre Georges Pompidou (1989).

ángel delgado

Delgado recently participated in the First Biennial of Canarias 2006 and in 2004 he was granted with a residence for new installations at the Mattress Factory Museum in Pittsburgh. He is a Cuban contemporary artist who transcended in the decade of the 90s when he was sent to prison for realizing a politically incorrect performance. His work has been marked by reflecting upon his personal experience. He uses non-conventional materials such as soap to produce installations and sculptures and color pencils with cold cream to draw on handkerchiefs.

rené francisco rodríguez

He will be participating in the 52nd Venice Biennial next June, representing his country. A very important artist in the history of Cuban contemporary art he has transcended various generations. Together with Eduardo Ponjuán, he was one of the principal members of the Generation of the 80s in Cuba; later he participated in the Generation of the 90s where he founded and directed the celebrated Grupo DUPP, which marked the epoch. Today René Francisco’s work continues to attract international interest.

atelier morales

Formed as architects, Teresa Ayuso and Juan Luis Morales are currently at the forefront of contemporary Cuban artists in exile. The Atelier Morales opened in Paris in 1997 through a desire to collaboratively reflect on art, vernacular architecture, and design. Their work transcends the limits of Cubanness as their concerns can be seen as universal. They have worked primarily through the use of photography as a mediating tool. Using highly poetic and critical articulations the artists reflect in general on social and economic inequities which cause the loss of heritage and patrimony and global migrations. Their series Los Bohíos was exhibited at the I Prague Biennale, curated by Lauri Firstenberg. This year, Atelier Morales will have a Solo Exhibition at the Heidelberger Kunstverein in Germany, presenting the Viaje Equinoccial series.

rodolfo peraza

One of the most intelligent young Cuban contemporary artists, Peraza reflects upon private situations and represents the interior world of a person in an unusual way. He uses signs and public signals as support for his images. The graphic man, which he calls “Hombre Concreto”, thus represents the universal man in the language of signposting, designed to organize the individual within public spaces. Peraza recently showed his work in a collective show at the MOCCA, Toronto, curated by Magda González.

manuel piña

Even as Manuel Piña graduated in mechanical engineering from the Vladimir Polytechnic Institute in Russia, in 1983, he became instead one of the most recognized and respected Cuban artists in exile. The main focus of his work is photography, but also installation, audio and video. He usually explores the urban space, full of evidence of its history, past and present. Collecting and manipulating these evidences and composing his own narratives through them, is a common exercise. His work –shown through different solo exhibitions in Vancouver, Milan, Vienna, Mexico, New York and Cuba- is part of the renowned Daros Latinamerican Collection in Switzerland.

sandra ramos

Sandra Ramos is one of the best known female contemporary artists in Cuba. Her work, which includes various techniques such as installation, painting, engraving and drawing, is based on the recuperation of the social and the individual memory and is linked to the difficulties of everyday life in Cuba as well as to themes like loneliness, migration and the manipulation of history and memory. There is great international interest in her work; shown by the fact, that it part of the Thyssen-Bornemisza Art Contemporary.TBA21.Vienna Collection. She has exhibited at The Mattress Factory, Pittsburg and has recently realized the curatorial project Havana Factory for the experimental space A’Chocolatería, in Santiago de Compostela, Spain.

martín soto

Martín Soto’s work reflects a constant aesthetic observation of daily-life objects. Instead of only contemplating the beauty of a simple object, he highlights the subtle aesthetics that lie behind the veil of the usual. Thus, Soto’s artworks are experiments with compositions in a determined space, playing with infinity of visual, mental and spatial propositions. He had been granted awards and residencies but had never wanted to exhibit in a commercial space. In 2006 he decided he was ready; participated in the MACO art fair and had a solo show, both through nina menocal gallery, Mexico City; from then on he has had solo shows at Broadway 1602 in New York, 2006 and Vilma Gold, London, 2007 and has participated at the international fairs Liste, Basel and Artíssima, Turin.

  • Nina Menocal
  • Melou Vanggaard !


    In her exhibition “Walking Between” Melou Vanggaard has created a visual, expressive and suggestive installation of paintings in Galleri Christoffer Egelund’s large front room, where she explores the narrative potential of paintings in a metaphorical short story style.

    The exhibition introduces us to, amongst other things, a series of colour-intensive glazed landscapes and human beings painted with quick strokes of the brush, whose blurred faces reduce their vague bodies to nothing but movement and action. The many different forms, sizes and formats of the paintings, all expressed in Melou Vanggaard’s characteristic expressive and energetic imagery, explore the field of possibilities embodied in the ambiguities and spaces between the abstract and the narrative, between impulse and control, text and figuration. The result is a giant collage of experiences, lyrical images and narratives whose motivic inspirations are impressions of the artist’s own surroundings or drawn from media images and Albrecht Dürer’s graphical world.

    Thus the narrative structure of the exhibition moves through different thematic phases, from the loneliness of the motel room depicted in American road movies to desperate party nights in the bars, where images, language and narrative interact, telling an open-ended story. It is the atmosphere between the pictures; the feeling of silence before the storm in places where life unfolds between the decisions in the search for turning points – on the road towards something else.

    In the back of the gallery, Melou Vanggaard has invited five artists to exhibit who all work in a very personal artistic universe, although with highly different expressions: In a series of blood collages, Mikkel S. Andersen (DK) deals with themes such as bitterness, sarcasm, mental catastrophes and general weltschmerz. Zven Balslev’s (DK) expressive black/white pen-and-ink drawings are highly influenced by underground cartoons and musical subcultures such as black metal, punk and noise, that often profess an extreme black humour and elude the norms of mainstream culture. In her installation and performance, Line Skywalker Karlström (SE) deals with different problems related to normality, above all coupled to hierarchies of values related to gender, sexuality and class. With his free and expressive imagery, Erling Viktor (DK/D) works very formally with paintings in a searching investigation of the expression, kinetics, contrast and composition of colour. Kerstin Wagener (D) works with a multifarious aesthetic impression, with inspiration from pop, trash and glamour.

  • Young Egelund
  • Lilibeth @ Kirkhoff


    Kirkhoff is proud to present

    Lilibeth Cuenca Rasmussen
    A Void

    Opening Saturday March 10th from 5-10 pm

    From 5-8 pm the artist will re-enact historical performances, followed by her own “The Artist’s Song”. Her latest film will be presented from 8-10 pm.

    The exhibition period is March 13th-April 28th. Images from the show will be on our webpage shortly after the opening.

  • Kirkhoff
  • Michaela Meise


    MICHAELA MEISE
    “SPAZIEREN”
    08.03.-08.04.2007

    STANDARD (OSLO) is pleased to announce its first solo exhibition with Berlin-based artist Michaela Meise. At the centre of her exhibition, entitled Spazieren, are five stained wooden sculptures of human brains. Reduced to minimal models they offer less of exact evidence and more in terms of confronting the viewer with not knowing. As with the German term ‘spazieren’ ? that may be translated as ‘strolling’ ?? Meise is interested in a line of thought uncertain of its own endpoint.

    A watercolour painting depicting a creature that is half dog and half girl; two photographs based on stills from the science fiction film “Invaders from Mars” (1956); a torn page from a book showing a woman seated on the ground next to what appears to be an elf. The motifs and references appearing in the works of Michaela Meise do not necessarily correspond, but rather appear as elements in a system of ‘dissonance’. Claim and withdrawal are continuously negotiated in Meise’s works. Narratives are suggested and then brought to an abrupt halt by the muteness of rustic and coolly distanced sculptures. Monument Minor ? as she applied as title for a previous exhibition ? may also serve as a term for these sculptures, installations and relieves. Almost always executed in wood and then lacquered or stained, they possess the rationality of Classical architecture, the boldness of Modernist furniture design, or share a sense of logic recognizable from display systems. The five sculptures in this exhibition are presented on plinths of transparent Plexiglas. At the same time the rational, bold and monumental character of these works is gauged against an interest in the singular, the incomplete and the imperfect, where the process of their making and the various layers of purple, black and brown stain all are left visible.

    The same work method is employed for the last sculpture going into the show, but Handapparat sets itself aside from the others by a particular function. It shares its title with a system of display units commonly found in university libraries. Books on a specific topic (in relation to a seminar or a series of lectures) are here presented for a limited period of time. Meise’s selection, however, does not limit itself to a particular topic nor to the task of serving as an index for the exhibition. Nevertheless, it offers both clarifying and mystifying links to the works on display. Among the many books here made available is “The Emigrants”, a collection of short stories by the German writer W. G. Sebald. It lingers on what appears to be a recurring motif with some of the books: exile as both involuntary displacement but also a time for contemplation. Connecting with the above-mentioned sculptures, Tinted Brain, Meise addresses the exile in regards to the (re-) construction of the ego. The dislocation of exile ? experienced by so many writers and artists through history ? has also allowed for a sense of overview and a sense of self. In fact, according to the fellow writer Albert Camus, it represents the essence of the human condition: “In a universe suddenly divested of illusion and lights, man feels an alien, a stranger. His exile is without remedy since he is deprived of the memory of a lost home or the hope of a promised land.”

    Michaela Meise (b. 1976, Hanau) received her education from Kunsthochschule, Kassel, and St䤥lschule, Frankfurt am Main. Her works have previously been included in such exhibitions as Of Mice and Men ? the 4th Berlin Biennial (2006); Try Again. Fail Again. Fail Better, Momentum ? the Nordic Art Biennial (2006); RAF, Kunstwerke Berlin (2005); Formalismus, Kunstverein Hamburg (2004); in addition to solo shows at Johann K?, Berlin, Greene Naftali Gallery, New York and Midway Contemporary Art, Minneapolis. Throughout the course of the exhibition Meise’s works can also be seen in the exhibition Ruin?Abstraktion: “Es gibt Dinge, die kann man nicht erkl䲥n” in Bonner Kunstverein, Bonn.

  • Standard Oslo
  • Katherine Bernhardt

    KATHERINE BERNHARDT
    “KISS ME KATE”
    March 9 – April 14, 2007

    Opening Reception with the Artist Friday, March 9, 6-9 pm

    For the second exhibition at its new address, Galleri Loyal proudly presents the work of American artist Katherine Bernhardt.

    For this show Ms. Bernhardt continues to keep the tradition of painting compelling. Here she turns her attention to portraits of the model Kate Moss. Having excavated the mountains of imagery from fashion magazines with their airbrushed accuracy, Bernhardt takes these images and paints them with a confident immediacy and playful elegance. Where Kate Moss usually acts as the ever willing model, she is in this case acting more as the beautiful flower to which Katherine Bernhardt can apply her sensual, dripping, expressionistic paint. With this show Loyal continues to introduce this young, international, post-pop art to Sweden.

    For more information please contact the gallery.

    GALLERI LOYAL
    Torsgatan 53 (OBS! New Address)
    113 37 Stockholm
    Sweden
    tel +46 (0)8 32 44 91
    mob +46 (0)73 322 9289

  • Loyal
  • Studio visit





    I went to wisit Jesper Dalgaard…He is so crazy in the best way and his works is absolutly fantastic!

  • Andersen-s