New work from Jone, soon @ Nils Stærk
ARCO/Galeriat 20
Antonio O.G.
Eduardo Balanza
Eugenio Merino
Richter Fructuoso
Works from Galeriat 20, the works are @ ARCO 2007
Mika Ninagawa/Arndt & Partner
Sakuran the directorial debut by up-and-coming Japanese photographer Mika Ninagawa, has been selected for an out-of- competition screening at the Berlin International Film Festival.
To commemorate this achievement, an exhibition of photographic work, not only from Sakuran but including her richly colored flower and goldfish motifs, will be held at Arndt & Partner Berlin – allowing a glimpse into the luxurious and gorgeous world of Mika Ninagawa.
Cerith Wyn Evans/Taka Ishii Gallery
Taka Ishii Gallery is pleased to announce Futa Omote (double face) our solo exhibition with London based artist Cerith Wyn Evans. Wyn Evans was born in 1958 in Wales. He has participated in numerous group exhibitions internationally, including the Venice Biennale (1995 and 2003), 9th International Istanbul Biennial (2005) and Documenta 11 (2002). Recent solo exhibitions include MIT List Visual Arts Centre, and Museum of Fine Arts, Boston (2004), Frankfurter Kunstverein (2004), Kunsthaus Graz (2005), BAWAG Foundation, Vienna (2005), and Musee d’art moderne de la ville de Paris, Paris (2006). Upcoming projects include exhibitions with both Taka Ishii Gallery, Tokyo as well as CCA, Kitakyushu.
Cerith Wyn Evan’s conceptual practice incorporates a wide range of media, including installation works, sculptures, photography, film and text. Wyn Evans began his career as a video and filmmaker, initially assisting Derek Jarman, and then making short, experimental films during the 1980s. Since the 1990s, his work could be characterised by its focus on language and perception, as well as its precise, conceptual clarity that is often developed out of the context of the exhibition site or its history. For Wyn Evans, installations should work like a catalyst: a reservoir of possible meanings that can unravel many discursive journeys.
Moreover, his work has a highly refined aesthetic that is often informed by the his deep interest in film history and literature. Often his works harness the potential of language to create moments of rupture and delight, where romantic longing, desire and reality conjoin. His ‘Firework’ pieces, for example, are wooden structures that spell out open-ended texts that burn over a designated period of time. His ‘Chandelier’ sculptures evoke notions of otherworldly communication by using sections of texts that have been translated into the flashing light signals of Morse Code. In his film and slide installations, such as The Curves of the Needle (2003), Wyn Evans manipulates sound to form a parallel ‘text’ to the visuals, where meaning is opened up by the unexpected slippage that occurs when the soundtrack is dislodged, changed or removed.
ARCO/Nicola von Senger
OLAF BREUNING, PROJECTS, Pabellón Hall 9 Stand PR10
GIANNI MOTTI, BLACK BOX, Pabellón Hall 9 Stand BB10
Moritz Schleime @ Larm
Moritz Schleime are born in 1978 and from germany(Weisensee).
Arco/Krinzinger
DEAR FRIENDS OF THE GALLERY,
we are looking forward seeing you at ARCO at our booth 9H 262, where we present works of:
Atelier van Lieshout Angela de la Cruz Dubossarsky & Vinogradov
Angelika Krinzinger Erik van Lieshout Jonathan Meese
Bjarne Melgaard Alois Mosbacher Hans Op de Beeck
Arnulf Rainer Werner Reiterer Eva Schlegel
Rudolf Schwarzkogler Frank Thiel Gavin Turk
Martin Walde Erwin Wurm
The Armory Show
We shall be presenting works by following gallery artists:
Adam Adach, Sue de Beer, Sophie Calle, William Cordova, Gabi Hamm, Mathilde ter Heijne, Anton Henning, Thomas Hirschhorn, Jon Kessler, Douglas Kolk, Karsten Konrad, Yayoi Kusama, Muntean/ Rosenblum, Josephine Meckseper, Erik Parker, Julian Rosefeldt, Charles Sandison, Nedko Solakov, Hiroshi Sugito, Miroslav Tichý, Susan Turcot and Veron Urdarianu
Furthermore we would like to draw your attention to the Clifford Chance VIP Lounge where the installation Asylum, 2001- 2002 consisting of 9 film sequences by Julian Rosefeldt will be on view.
Opening hours of the fair:
Friday, 23 February until Sunday, 25 February 2007
Public viewing hours: Noon – 8 pm
Monday, 26 February 2007
Public viewing hours: Noon – 5 pm
Pier 94
Twelfth Avenue at 55th Street
New York City
United Colors of Assholes
Alexander Laners plays on the Mercedes motor SLR. fra 1966 250 hk.
What F Word?
What F Word?
curated by Carol Cole Levin
Opening reception: Thursday, February 15, 6-9 pm
Ghada Amer &
Reza Farkhondeh
Janet Biggs
Phyllis Bramson
Carol Cole
Patricia Cronin
Nancy Davidson
Lesley Dill
Diane Edison
Susan Paul Firestone
Dana Frankfort
Lauren Gibbes
Gina Gibson
Kate Gilmore
Nancy Grossman
Jane Hammond
Rajkamal Kahlon
Robin Kahn
Deborah Kass
Suzanne McClelland Beverly McIver
Ulrike Mueller
Barbara Nessim
Shay Nowick
Brenda Oelbaum
Lesley Patterson-Marx Elaine Reichek
Beatrice Schall
Rachel Selekman Lowery Stokes Sims Anita Steckel
Sabyna Sterrett
Jennifer Viola
May Wilson
Cynthia Broan Gallery will present What F Word?, a group exhibition curated by Carol Cole Levin of female artists
representing multiple generations. Works that span 45 years are all somehow connected to an “F” word.
In the 50’s, there was only one meaning for the “F” word and that was the slang word for copulation; coincidentally, the act of love that begets the life that begins in a female womb. In the last decade, the “F” word has been used derogatively to refer to words like “feminist” and “fascist,” even “flag” was draped in controversy. How will we refer to this decade? Is this the art of the 00”s? Does it have gender? “G” follows “F” in the English alphabet. Why do English nouns not have gender like the Romance and Germanic languages? Who decided the gender of their nouns?
“Say Something,” a painting of Dana Frankfort implores. Suzanne McClelland mockingly replies in Coming to a Head on how to give a blow job in pink and red. Ghada Amer and Reza Farkhondeh ever so subtly suggest females making love in Dalliances. Embroidery and fabric are everywhere, materials long associated with the female. Digital embroidery, right or left brain? Who is right? Who is left? Where is feeling? What represents fact? Jennifer Viola uses an alphabet of sign language to express more than the letter “F.” Sabyna Sterrett in Flood, hand stitches pearls on fabric printed with fish (a Christian symbol of faith) to memorialize the devastating Easter flood in 1979 of the Pearl River that flows through Mississippi, the same river that was dragged for bodies during civil rights trials in the 60’s.
Feminist? Fascist? Fear? Flag? Figure? Face? Ferocious? Fanatic? Faith? Future? Family? Food?
Flood? Fire? Fortune? Finance? Fish? Friend? Fame? Free? Fun? Facetious? Fad? Flower? Fancy?
This exhibition is dedicated to the memory of Arlene Raven.
The work are by Shay Nowick.