Know Hope – There Is Nothing Dear (There Is Too Much Dear)

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Know Hope – There Is Nothing Dear (There Is Too Much Dear)

Show & Tell Gallery is pleased to welcome the Israeli artist known as Know Hope to his first solo exhibition in Canada.

Know Hope is best known for his street art, in which he depicts characters through several different story lines. The predominant theme within his work is the need for momentary connection in daily reality. Or, in other words, the everyday human struggle.

This exhibition examines the idea of the collective memory in comparison to the personal memory. Through the growing but steady vocabulary of imagery in his work, Know Hope attempts to research how and why we tend to hang on to memory, despite it having an inevitable ephemeral nature.

Know Hope has exhibited his art interenationally in galleries, art fairs, and on the streets of cities such as Los Angeles, New York, London, Vienna, Rome, Toronto, and Tel Aviv.

Show & Tell Gallery

Bettina Buck

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Bettina Buck’s second exhibition at Rokeby and her first at the Hatton Wall gallery.

What do you hear?     Water.
What sound is this water? Water.
(after Benjamin Péret)

Buck continues to be interested in the inherent instability of material, to search for what in her words create “a tremor, a noise, a mood, a situation, a conversation with its surroundings, with the viewer”.

Recent work includes an unstable room-divider made of tiled fabric / a bronze Swelling, from an ongoing series of 12, each one produced using a single carton of expanding-foam prior to being contained in bronze / a hand missing some fingers / a short film featuring Buck carrying a large block of foam through a rural landscape / a settee wrapped in bandages, linen and plastic by Buck’s mother – under instruction from Buck / some oversized tennis balls housed in 3-sided tiled boxes / etc…

Bettina Buck (born 1974, Cologne) lives and works in London. This is Buck’s first exhibition since her presentation at Art |41| Statements earlier this year.

Rokeby

Crystel Ceresa

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“White Noise” by the Swiss artist Crystel Ceresa (b. 1977). It is the artist’s second solo show at the gallery and the exhibition displays paintings and drawings from the artist’s studio in Geneva. At first glance, the observer is drawn and fascinated by the decorative and skillfully painted surfaces of the large-scale canvases – then by the deeper and more personal reminiscences and threads to art history.

Crystel Ceresa’s delicate aerogrammes share lightness due to the airbrush technique, the color palette of bright pastels and the partially blurred subject matter. A “white noise” occurs in the pictures – in the form of an obscuring mist, sparkling highlights, or carved inscriptions of light – which complicates a clear and evident reading and perception of the content of the works. Among the motifs are jewel-like flowers, portraits of personal heroes, fragments of text and symbolic attributes, appearing as sketches in blurred collage-like compositions. This overall expression indicates that the motives are not objective registrations of the world around us, but rather visual interpretations of the artist’s imagination, sources of inspiration and remembrance. The haze and the fragmented compositions thus maintain the content in a twilight zone as vulnerable and fragile memories that threaten to let go and disappear from the surface.

The works of Crystel Ceresa have an intimate and personal feel to them, and the persons she portrays in her art are made icons, celebrated and surrounded by symbols and represented in a visual language that has both low and fine cultural undertones. On one side the paintings evoke kitsch aesthetics, decorative and applied arts, yet gold backgrounds, skulls, whited surfaces and persons flanked by flowers, also pulls threads back into art history; to Byzantine icons, to the Baroque vanitas, the white powdered decadent images of the Rococo, and to the Pre-Raphaelites’ emblematic depictions of personal muses.

Crystel Ceresa was born in Switzerland in 1977. She graduated from Ecole Supérieure des Beaux-Arts in Geneva 2004 and from the Ecole des Arts Decoratifs in Geneva in 1998. Today, she lives and works in Geneva and the interest in her works has been large from day one. Crystel Ceresa has exhibited widely in Switzerland and since 2008 in Denmark. She is represented in several private and corporate collections such as; Academisch Medisch Centrum, Amsterdam, Bank Julius Bär, Basel, Crédit Suisse, Zürich, Zürich Versicherungen, Basel, HSBC, Zürich, Collection Yves Racloz, Geneva and Collection Nicolas Torroni, Geneva.

Christoffer Egelund