Tag: 2010
AVPD // Hitchcock Hallway
Ikon Eastside presents Hitchcock Hallway, an installation by Danish artist
duo AVPD, whose work typically consists of complex spatial and perceptual
experiments that analyse the ways in which people respond to their environments. The title makes reference to director Alfred Hitchcock who
employed spatial effects to create psychological intensity in many of his films. This major new work, commissioned by Ikon, sees the entrance to the gallery replaced by a door. What lies beyond is for the visitor to discover.
In addition, the artists have produced a number of off-site projects around
Birmingham. At Ikon, Brindleyplace a window at the gallery entrance is
covered by multiple layers of glass in Conceal; paradoxically, with each
transparent sheet the window becomes more opaque. Meanwhile in locations around the city, Level, a series of simple graphic posters appear, black with a white horizontal line, each one subtly different, exploring memory, recognition and expectation. A fourth project, Rotobjects, is a discreet, unpublicised, sculptural action – white Perspex objects, each the shape and size of a drinks can, are abandoned at the top of public escalators around Birmingham – there they will rotate, hypnotically, until removed.
AVPD are Aslak Vibæk and Peter Døssing, both graduates of The Royal
Danish Academy of Fine Arts. Often inspired by ways in which space is
re-imagined in literature, film and science, their works challenge socially
conditioned or innate perceptual habits, emphasising how our bodies ‘read’
spaces and react to them, be it physically, intuitively and intellectually. They
see the human subject as defined by space; shaping it and in turn being
shaped by it, and as such their experiments with constructions are suggestive of new possibilities for imaginative space.
TOKYO PHOTO 2010
TODD JAMES // Great Adventure
Dan Flavin /
Alexandra Grant
Ala Ebtekar
Through a steady and impressive career that has incorporated sculpture, photography, fashion, and installation, Ala Ebtekar has continually returned to his initial passion of drawing and painting. With meticulous deliberation to conceptual intent and aesthetic execution, he creates fluid, graceful pieces that inhabit a realm where past and present / east and west collide in a dance of time and space.
Well known for his series of intricate paintings on pages of religious manuscripts, in which he situates scenes of epic battles of warriors donning helmeted armor, wielding medieval swords and modern day bandoliers, Ebtekar has created a hybrid world that references both past and present in a seamless fusion of mythologies and time. In recent solo exhibitions at The Third Line Gallery in Dubai in Fall 2009 and Gallery Paule Anglim in San Francisco in 2010, he created a series of multimedia works of women in resilient poses emanating strength, resolve, and determination, simultaneously hinting at ancient Persian epics and the most recent call for social justice by Iran’s youth – a movement led quite visibly by young Iranian women. He brought to the
forefront an often overlooked chapter of history and field of scholarship about the role women warriors had in ancient Persia – dating back at least 2,000 years to the time of the Parthians – while simultaneously honoring and highlighting the role Iranian women play today in the creation of history.
In his upcoming exhibition @ CJG, Ebtekar will bring all threads of his practice together, showing his epic paintings and drawings on mounted prayer book pages, his series involving re-mythologized Persian women, and a newly constructed installation piece(s).
A talented draughtsman since childhood, the artist studied traditional painting technique in Iran, and was an active collaborator in Tim Rollins’ K.O.S.(Kids of Survival) before attending the San Francisco Art Institute (BFA) and Stanford University (MFA.) Ebtekar has exhibited in Los Angeles, London and Dubai, and was chosen for the 2006 California Biennial. His installation “Elemental” travelled in the acclaimed exhibition “One Way or Another: Asian American Art Now” organized by the Asia Society.
Copenhagen Graffiti (Walls)
